Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Tuesday, 17 December 2013

Coppola's typewriter

Most of us have seen this image of Coppola typing on an Olivetti DL, while he was working on his classic film; the Godfather.


Well, it turns out that Coppola now has another typewriter out there that has become famous. Back when he was working on Apocalypse Now, another of his cinema masterpieces, close to the end of production he fled Tokyo in an rush. Unfortunately he left his typewriter in the hotel room that he was staying in at the time, never to be seen again - or so he thought.

The typewriter turned up in October this year, when the owner of the hotel came forward at a press conference with Coppola, and presented him with the typewriter. Coppola signed it, and graciously gifted it back to the man.

Sadly, there's no photos of the event, but the story can be read HERE

So, I did what every good writer and typewriter lover should do. I went out and tried to find what typewriter it was.

Sadly, I have only turned up an image taken from a documentary from the film 'Hearts of Darkeness: The making of Apocalypse Now'. When I get a chance, I'll see if I can find a copy of the documentary, and see if I can get a better image myself.


I have seen the documentary many years ago, but I can barely remember it. Might be worth another look. 

Anyone got any ideas on what this machine is? 

Saturday, 27 October 2012

The Complete Metropolis

'The complete Metropolis' - Film.

As most of you know, I am a film lover. And I'd just like to share with you some of my thoughts, and recent experiences of my all-time favourite film.

Oh, and as usual pardon the normal 'typecast' typos and mistakes. 


One of the most iconic robots of cinema. This Art Deco design has influenced hundreds of works since. 


'The New Tower Of Babel'. Much of the film takes inspiration from biblical tales, which unfortunately ended up seeing it cut ferociously by American censors. Much of it remained in the final film, but several key scenes had been stripped. 


For a 1927 silent film, the setting was incredible and took inspiration from New York for its impressive models used in 'above ground city'. 


One big revelation of the complete metropolis: The statues holding Maria up are the 7 deadly sins. 

Expressionist Art Deco style - eat your heart out... 


Rotwang's motivations are clearer, as he seeks revenge for the death of the woman he loved.


The 'Pater Noster' machine, which later turns into a 'Moloch' that workers are sacrificed into. 

P.s.
If you are new to this film, track down the Georgio Moroder version from the 80's. While it is incomplete, it is the easiest to watch with its colourisation and 80's soundtrack that features some great musicians - including Freddy Mercury and Adam Ant. 

Tuesday, 10 July 2012

Cinema Elron - Film Noir



(read the following typecast in your best Bogart voice)

(okay, go back to reading this with a voice that sounds more like Clive James now)

I used to live in an apartment complex in the suburb of New Farm that had quite a culture to it. One of our co-tennants insisted that it felt like 'Melrose Place'. The rest of us were pretty sure that it was about as close to 'Tales of the city' as you could get in Brisbane. Transvestites, quite conservative men in the top floor, odd princesses coming in and out. John the guitar repair guy often strumming his creations late into the night, only to be seen reading the newspaper while sitting on a tiny 60's garden chair the next morning. Lawyers, PR people, photographers, opera fanatics... we had the lot. 

I'm sure you get the picture. It was a bit of drama, a bit of fun, and a whole lot of interesting. 

The complex itself was in a U-shape with a sizeable mutual courtyard that nicely lent itself to lots of events and parties. One of those events used to be the cinema nights that I would run from time to time. It was called 'Cinema Elron' after the name of the building - Elron Court. 

The complex was constructed in the 1930's to a largely art deco design style. It wasn't 'pure deco' as apartments near by - such as Coronet Court are, but you could never mistake it as being built in any other era. Naturally, on a few occasions we decided that film Noir would be the perfect accompaniment to the building's interesting and odd history. 

While I was stumbling through the disorganised mess that is the hard drive of my Mac, I came across a few of the old posters I had designed. The movies for the cinema night were usually voted on, on the night. But people were expected to nominate films to be chosen from. The first time we did this everyone scratched their heads and made all kinds of confused noises, feeling awkward about nominating a film, as they feared they might be forcing everyone to watch their personal favourite - and everyone would hate them for it. As such I got no nominations. 



The first poster was simply just a way of making sure everyone in the complex knew the date, and knew what was going on. That way we could avoid having that awkward moment when you find yourself walking out your front door and finding 30 people on your front step. But after that, the posters started to represent the next cinema night's theme. 

In the time I ran it, Noir came up twice. The first time was when we ran a 'Modern Noir' theme, where we tried to get everyone to nominate their preferred post 50's Noir film. Later, we had another night where we ran a traditional Noir night, looking for nominations for Noir films across the whole spectrum. 

I no longer live in Elron Court, and I do miss it in a lot of ways. When I came across these posters this afternoon I thought to myself - the bloggers from pages like 'Streamlines De Luxe' and mike from 'Just Write' - perhaps even 'Teeritz' might find them interesting. I designed these posters myself. And I reckon Teeritz might find one of them somewhat familiar looking, 

 It also reminded me that I promised a print of my posters to the New Farm historical society. There were a few posters in total. But I felt the film Noir ones might be of the most interest to the Typosphere/writer/typerwriter crew I mostly blog this towards.

Half way through setting up one of my cinema nights.